duas aves

Today Bach’s dynamism fascinates young people. But who among them takes the trouble of dismantling, one by one, the ensemble of voices, the polyphonic complex in order to plunge into each isolated voice and extract all its flavor? It seems that what appeals most to them is the dynamic bloc. This kind of dynamism can be found in a concerto of Hindemith or of Falla because their density does not stand to be disassembled; there it exists through accumulation. But Bach’s dynamism is of a very different nature.

— Wanda Landowska (via homilius)


escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.
escapekit:

Transarquitetônica
Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.

escapekit:

Transarquitetônica

Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.

(Source: thisiscolossal.com)